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SUMMARY:Jimmy Fortune
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/jimmy-fortune/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20221203T190000
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SUMMARY:Lanham Brothers Jamboree CHRISTMAS SHOW
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/lanham-brothers-jamboree-christmas-show/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20221119T190000
DTEND;TZID=America/Chicago:20221119T203000
DTSTAMP:20221129T203826Z
CREATED:20220815T201228Z
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UID:10000257-1668884400-1668889800@www.bluegrasshall.org
SUMMARY:Nitty Gritty Dirt Band
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/nitty-gritty-dirt-band-2/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20221104T190000
DTEND;TZID=America/Chicago:20221104T203000
DTSTAMP:20220815T200846Z
CREATED:20220809T173941Z
LAST-MODIFIED:20220815T200846Z
UID:10000256-1667588400-1667593800@www.bluegrasshall.org
SUMMARY:Béla Fleck | My Bluegrass Heart
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/bela-fleck-my-bluegrass-heart/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20221029T190000
DTEND;TZID=America/Chicago:20221029T203000
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CREATED:20220803T165844Z
LAST-MODIFIED:20221020T142105Z
UID:10000254-1667070000-1667075400@www.bluegrasshall.org
SUMMARY:Asleep at the Wheel
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/asleep-at-the-wheel/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221022T190000
DTEND;TZID=America/Chicago:20221022T200000
DTSTAMP:20220923T212124Z
CREATED:20220923T200417Z
LAST-MODIFIED:20220923T212124Z
UID:10000262-1666465200-1666468800@www.bluegrasshall.org
SUMMARY:Mangled Mirror
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/mangled-mirror-2/
LOCATION:Bluegrass Music Hall of Fame & Museum – Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301
CATEGORIES:Concert
GEO:37.7750514;-87.1140719
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221021T190000
DTEND;TZID=America/Chicago:20221021T200000
DTSTAMP:20220923T200345Z
CREATED:20220923T200345Z
LAST-MODIFIED:20220923T200345Z
UID:10000261-1666378800-1666382400@www.bluegrasshall.org
SUMMARY:Mangled Mirror
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/mangled-mirror/
LOCATION:Bluegrass Music Hall of Fame & Museum – Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301
CATEGORIES:Concert
GEO:37.7750514;-87.1140719
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221015T190000
DTEND;TZID=America/Chicago:20221015T203000
DTSTAMP:20220718T154435Z
CREATED:20220715T160644Z
LAST-MODIFIED:20220718T154435Z
UID:10000253-1665860400-1665865800@www.bluegrasshall.org
SUMMARY:Michael Cleveland & Flamekeeper
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/michael-cleveland-flamekeeper/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/png:https://www.bluegrasshall.org/wp-content/uploads/2022/07/Michael-Cleveland-Instagram-Post.png
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220908T190000
DTEND;TZID=America/Chicago:20220908T203000
DTSTAMP:20220906T202154Z
CREATED:20220715T145509Z
LAST-MODIFIED:20220906T202154Z
UID:10000252-1662663600-1662669000@www.bluegrasshall.org
SUMMARY:The Nashville Songwriter
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/the-nashville-songwriter-2/
LOCATION:Bluegrass Music Hall of Fame & Museum Outdoor Stage\, 311 W. 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/png:https://www.bluegrasshall.org/wp-content/uploads/2022/07/Nashville-Songwriter-98-Facebook-Post.png
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220813T190000
DTEND;TZID=America/Chicago:20220813T203000
DTSTAMP:20220721T170153Z
CREATED:20220630T155022Z
LAST-MODIFIED:20220721T170153Z
UID:10000251-1660417200-1660422600@www.bluegrasshall.org
SUMMARY:John McEuen & The Circle Band
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/john-mceuen-the-circle-band/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/png:https://www.bluegrasshall.org/wp-content/uploads/2022/06/John-McEuen-Instagram-Post.png
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220806T190000
DTEND;TZID=America/Chicago:20220806T210000
DTSTAMP:20220919T200846Z
CREATED:20220919T194947Z
LAST-MODIFIED:20220919T200846Z
UID:10000259-1659812400-1659819600@www.bluegrasshall.org
SUMMARY:Lanham Brothers Jamboree
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/lanham-brothers-jamboree-3/
LOCATION:KY
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220806T190000
DTEND;TZID=America/Chicago:20220806T210000
DTSTAMP:20220613T202156Z
CREATED:20220606T211838Z
LAST-MODIFIED:20220613T202156Z
UID:10000250-1659812400-1659819600@www.bluegrasshall.org
SUMMARY:Lanham Brothers Jamboree
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/lanham-brothers-jamboree-2/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20220805T170000
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SUMMARY:First Fridays - Tasha Layton
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/first-fridays-point-of-grace-copy-copy/
LOCATION:Bluegrass Music Hall of Fame & Museum Outdoor Stage\, 311 W. 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20220701T170000
DTEND;TZID=America/Chicago:20220701T200000
DTSTAMP:20240430T160808Z
CREATED:20220426T194501Z
LAST-MODIFIED:20240430T160808Z
UID:10000248-1656694800-1656705600@www.bluegrasshall.org
SUMMARY:First Fridays - Cochren & Co
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/first-fridays-point-of-grace-copy/
LOCATION:Bluegrass Music Hall of Fame & Museum Outdoor Stage\, 311 W. 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20220607T190000
DTEND;TZID=America/Chicago:20220607T210000
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LAST-MODIFIED:20220919T194725Z
UID:10000246-1654628400-1654635600@www.bluegrasshall.org
SUMMARY:Kentucky Humanities presents Sam Bush in conversation with Michael Johnathon
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/kentucky-humanities-sam-bush/
LOCATION:Bluegrass Music Hall of Fame & Museum – Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20220603T170000
DTEND;TZID=America/Chicago:20220603T200000
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LAST-MODIFIED:20220426T195008Z
UID:10000247-1654275600-1654286400@www.bluegrasshall.org
SUMMARY:First Fridays - Point of Grace
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/first-fridays-point-of-grace/
LOCATION:Bluegrass Music Hall of Fame & Museum Outdoor Stage\, 311 W. 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220519T190000
DTEND;TZID=America/Chicago:20220519T203000
DTSTAMP:20220407T214348Z
CREATED:20220308T162037Z
LAST-MODIFIED:20220407T214348Z
UID:10000245-1652986800-1652992200@www.bluegrasshall.org
SUMMARY:The Nashville Songwriter
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/nashville-songwriter-5-19/
LOCATION:Bluegrass Music Hall of Fame & Museum Outdoor Stage\, 311 W. 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20220514T190000
DTEND;TZID=America/Chicago:20220514T203000
DTSTAMP:20220211T171245Z
CREATED:20211222T170434Z
LAST-MODIFIED:20220211T171245Z
UID:10000242-1652554800-1652560200@www.bluegrasshall.org
SUMMARY:Dan Tyminski Band
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/dan-tyminski-5-14/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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END:VEVENT
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DTSTART;TZID=America/Chicago:20220506T190000
DTEND;TZID=America/Chicago:20220506T203000
DTSTAMP:20220713T204632Z
CREATED:20211227T163134Z
LAST-MODIFIED:20220713T204632Z
UID:10000243-1651863600-1651869000@www.bluegrasshall.org
SUMMARY:Dailey & Vincent
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/dailey-and-vincent/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20220423T190000
DTEND;TZID=America/Chicago:20220423T203000
DTSTAMP:20220324T172150Z
CREATED:20211220T152722Z
LAST-MODIFIED:20220324T172150Z
UID:10000240-1650740400-1650745800@www.bluegrasshall.org
SUMMARY:Darin & Brooke Aldridge
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/aldridge/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://www.bluegrasshall.org/wp-content/uploads/2021/12/Aldridge-New-IG-Image.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220325T190000
DTEND;TZID=America/Chicago:20220325T203000
DTSTAMP:20211221T150303Z
CREATED:20211220T185548Z
LAST-MODIFIED:20211221T150303Z
UID:10000241-1648234800-1648240200@www.bluegrasshall.org
SUMMARY:Rhonda Vincent & The Rage
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/rhonda-vincent/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
ATTACH;FMTTYPE=image/jpeg:https://www.bluegrasshall.org/wp-content/uploads/2021/12/Rhonda-Vincent-HOF-IG.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220318T190000
DTEND;TZID=America/Chicago:20220318T203000
DTSTAMP:20211123T183754Z
CREATED:20211122T203530Z
LAST-MODIFIED:20211123T183754Z
UID:10000235-1647630000-1647635400@www.bluegrasshall.org
SUMMARY:We Banjo 3
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/we-banjo-3-18/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220312T100000
DTEND;TZID=America/Chicago:20220312T100000
DTSTAMP:20220301T165144Z
CREATED:20220301T164829Z
LAST-MODIFIED:20220301T165144Z
UID:10000244-1647079200-1647079200@www.bluegrasshall.org
SUMMARY:Kentucky State Fiddle Championship
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/ky-fiddle/
LOCATION:Bluegrass Music Hall of Fame & Museum\, 311 W 2nd St.\, Owensboro\, 42301\, USA
CATEGORIES:Concert
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220226T190000
DTEND;TZID=America/Chicago:20220226T203000
DTSTAMP:20220208T165031Z
CREATED:20211210T163517Z
LAST-MODIFIED:20220208T165031Z
UID:10000239-1645902000-1645907400@www.bluegrasshall.org
SUMMARY:Brennen Leigh
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/brennen-leigh/
LOCATION:Bluegrass Music Hall of Fame & Museum – Lobby Stage\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220212T190000
DTEND;TZID=America/Chicago:20220212T203000
DTSTAMP:20220208T165102Z
CREATED:20211208T134907Z
LAST-MODIFIED:20220208T165102Z
UID:10000238-1644692400-1644697800@www.bluegrasshall.org
SUMMARY:The Kody Norris Show
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/kody-norris-show-2-12/
LOCATION:Bluegrass Music Hall of Fame & Museum – Lobby Stage\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20220205T190000
DTEND;TZID=America/Chicago:20220205T203000
DTSTAMP:20220112T210339Z
CREATED:20211206T162123Z
LAST-MODIFIED:20220112T210339Z
UID:10000237-1644087600-1644093000@www.bluegrasshall.org
SUMMARY:East Nash Grass
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/east-nash-grass/
LOCATION:Bluegrass Music Hall of Fame & Museum – Lobby Stage\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20220115T190000
DTEND;TZID=America/Chicago:20220115T203000
DTSTAMP:20211203T153240Z
CREATED:20211203T151843Z
LAST-MODIFIED:20211203T153240Z
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SUMMARY:Rodney Dillard & The Dillards
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/rodney-dillard/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20211213T190000
DTEND;TZID=America/Chicago:20211213T203000
DTSTAMP:20211103T165417Z
CREATED:20211005T144405Z
LAST-MODIFIED:20211103T165417Z
UID:10000229-1639422000-1639427400@www.bluegrasshall.org
SUMMARY:Steven Curtis Chapman
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/steven-curtis-chapman/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20211204T190000
DTEND;TZID=America/Chicago:20211204T203000
DTSTAMP:20211202T162740Z
CREATED:20211026T130502Z
LAST-MODIFIED:20211202T162740Z
UID:10000232-1638644400-1638649800@www.bluegrasshall.org
SUMMARY:Lanham Brothers Jamboree Christmas Show
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/lanham-brothers-christmas-show/
LOCATION:Bluegrass Music Hall of Fame & Museum\, 311 W 2nd St.\, Owensboro\, 42301\, USA
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20211126T200000
DTEND;TZID=America/Chicago:20211126T213000
DTSTAMP:20211119T164507Z
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UID:10000231-1637956800-1637962200@www.bluegrasshall.org
SUMMARY:Béla Fleck\, Sam Bush\, Jerry Douglas\, Stuart Duncan\, Edgar Meyer\, & Bryan Sutton
DESCRIPTION:GET TICKETS(opens in new tab)	\n\n\n	\n		\n	Join us on July 7th\, 2025 for Mighty Poplar! \nTickets are on sale now.  Preferred seating is $37\, and reserved seating is $28. Doors open at 6:00 pm\, with the concert at 7:00 PM. Bar and concessions available. \nAt its heart\, bluegrass music is about what happens when you commit to the moment. The joy of improvisation keeps the music fresh\, and the fun of crafting ideas on the fly keeps the musicians on their toes. This true spirit of bluegrass infuses the self-titled record from Mighty Poplar\, a new all-star roots project featuring Andrew Marlin of Watchhouse\, Noam Pikelny and Chris Eldridge of Punch Brothers\, bassist Greg Garrison (Leftover Salmon) and fiddler Alex Hargreaves (Billy Strings) coming March 31\, 2023 on Free Dirt Records. Regarded as some of the finest players of their generation\, the playing is never showy and always in service of the song. Though Pikelny\, Eldridge\, Garrison all knew each other from their early work with Punch Brothers\, impromptu backstage jams with Marlin at festivals across the country were the key that unlocked the project. A lifelong song collector\, Marlin selected and sang lead on most of the songs here\, bringing classics as well as deep cuts from greats like Hazel Dickens & Alice Gerrard\, John Hartford\, Bob Dylan\, Leonard Cohen\, and Norman Blake. Throughout\, the songs and tunes are as immediate and emotionally impactful as the playing is tasteful. Gathered knee-to-knee in a rural studio outside Nashville\, the collaborative 10-track album emerged organically over a few days. “It felt so special and effortless; it didn’t take work\,” says Eldridge\, “other than the work and effort we’ve put in the rest of our lives.” With their debut album\, Mighty Poplar has captured the fierce and playful energy of an all-night jam between old friends who just happen to be grandmasters of the music. \nSpeaking to the band\, it’s clear that each player joined out of pure excitement to play music with each other. “I’m convinced Alex Hargreaves only knows how to play the perfect notes at the perfect times\,” muses Eldridge. Pikelny speaks highly about Marlin’s innate musicality: “We listen to a lot of Watchhouse at our house. Supporting a singer and songwriter of Andrew’s caliber is about the most rewarding thing I get to do\, so I leapt at the opportunity to collaborate when Greg first pitched the idea for this project.” Marlin talks up the other players' instrumental virtuosity. “When I think about it from a player’s perspective\, I didn’t feel like I belonged in this group; I haven’t spent my life trying to improve my chops. I’ve been more of a song gatherer\,” a humble Marlin admits. That last point is key here\, as it focused the approach to the new album on an appreciation for the roots of bluegrass and for the songs especially. Inspired by the 1980s albums of The Bluegrass Album Band\, which united some of that era’s best bluegrass players\, Mighty Poplar sought to emulate the fun and spontaneity of those inspirational recordings. “My love for the sound and feel of those Bluegrass Album Band records–the energy\, the undeniable chemistry\, the subtle virtuosity–led me to imagine what that might look like in our collective gumbo of today’s bluegrass\,” says Garrison. “We grew up on those records\,” Eldridge continues. “We loved the idea of musicians banding together for a special project where you explore your common influences.” But don’t mistake Mighty Poplar for a tribute record; the band aimed to find their own arrangements and deliver fresh takes on the songs. In Eldridge’s words: “It’s an homage to where we came from\, without it being a recreation of an earlier era.” \nThe songs and tunes on Mighty Poplar run through the history of bluegrass from the earliest Appalachian stringbands (“Grey Eagle”) to the more recent\, “Up on the Divide\,” from Montana bard Martha Scanlan and a reworking of Uncle Dave Macon’s “Lovin’ Babe” by songwriter Kristin Andreassen. Each song was carefully selected; “Even in a karaoke bar these songs would stand up\,” jokes Pikelny. Marlin worked to pick out songs that were also evocative of a time and a specific geography. “Each song feels like it was written from a very personal place\,” Marlin says. “‘North Country Blues’ - you feel that from Dylan. You’re there outside the mill with him reminiscing about the glory days of the steel industry.” One of the most surprising tracks on the album is Marlin’s eloquent and careful reimagination of Leonard Cohen’s “Story of Isaac.”  “Cohen’s version was so heavy\,” says Marlin. “The first time I ever heard him sing that tune I felt like I’d just survived falling down a hill. For our version\, I tried to take this really serious heavy subject and put it to some not-quite-as-heavy music.” Marlin jokes that’s the spirit of bluegrass. “You take sad songs and make them sound a little happier\, and you’ve got yourself a Stanley Brothers album all of a sudden.” \nWith the songs decided\, Marlin suggested recording at a studio in the woods outside of Nashville called The Tractor Shed. A literal converted tractor shed\, the warmth of the studio was the perfect setting to capture the live feel of the music. “The songs really came into their own in front of the mics\,” Pikelny explains. “A lot of first or second exploratory ideas made it onto the record\, as opposed to having an idea being thrown out and having weeks of refining and tweaking. I love catching that initial energy and spark. It means that things won’t always be squeaky clean\, but I’ll take that lightning in a bottle over perfection.” Fueling the interplay between each artist\, these improvisational adventures built a structure for new interpretations of the songs. “You’re constantly in dialogue with the moment\,” Eldridge says. “It’s the ripples\, man\,” Marlin echoes. “You hear someone have a powerful idea and it subtly ripples through the band.” But it was the groove that was most important to everyone. As Marlin explains\, “I’ve never played in a bluegrass setting where the groove was so undeniable. The songs just unfolded because the playing wasn’t something to think about.” \nThere’s a level of curiosity and engagement that’s only found at the highest echelons of music making. What sets Mighty Poplar apart from the members' full time endeavors with Punch Brothers\, Watchhouse\, Billy Strings\, and Leftover Salmon is that this band "is a chance to play real deal bluegrass"\, says Eldridge. Pikelny agrees\, adding that “in some ways this album is biographical for each one of us. It was an opportunity to play the music that we love at our core\, and the music that has informed what we do in our other long-standing projects.” Ultimately\, there was a kind of joy and relief in coming back to their roots in celebration and camaraderie. “There’s a reunion element to this\,” he says\, “which is ridiculous because it was the first time all five of us were in the same room. But the ease in which it came together felt like we were getting the band back together.” \n\n	\n\n\n	\n		\n	Bundle Tickets with Discounted Hotel Stay\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner.  When you bundle your tickets\, the Hampton Inn offers discounted rates for your stay.  The price includes two tickets to the concert\, and the tickets are located in row H.  You will receive your tickets at check-in with the hotel.  Call the Hampton Inn directly at:  270-685-2005
URL:https://www.bluegrasshall.org/event/bela-fleck/2021-11-26/2/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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