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SUMMARY:Jimmy Fortune
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/jimmy-fortune/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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SUMMARY:Lanham Brothers Jamboree CHRISTMAS SHOW
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/lanham-brothers-jamboree-christmas-show/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20221119T190000
DTEND;TZID=America/Chicago:20221119T203000
DTSTAMP:20260501T073530
CREATED:20220815T201228Z
LAST-MODIFIED:20221129T203826Z
UID:10000257-1668884400-1668889800@www.bluegrasshall.org
SUMMARY:Nitty Gritty Dirt Band
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/nitty-gritty-dirt-band-2/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20221104T190000
DTEND;TZID=America/Chicago:20221104T203000
DTSTAMP:20260501T073530
CREATED:20220809T173941Z
LAST-MODIFIED:20220815T200846Z
UID:10000256-1667588400-1667593800@www.bluegrasshall.org
SUMMARY:Béla Fleck | My Bluegrass Heart
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/bela-fleck-my-bluegrass-heart/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221029T190000
DTEND;TZID=America/Chicago:20221029T203000
DTSTAMP:20260501T073530
CREATED:20220803T165844Z
LAST-MODIFIED:20221020T142105Z
UID:10000254-1667070000-1667075400@www.bluegrasshall.org
SUMMARY:Asleep at the Wheel
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/asleep-at-the-wheel/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Woodward Theatre 311 W 2nd St. Owensboro KY 42301 United States;X-APPLE-RADIUS=500;X-TITLE=311 W 2nd St.:geo:-87.114185,37.775241
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221022T190000
DTEND;TZID=America/Chicago:20221022T200000
DTSTAMP:20260501T073530
CREATED:20220923T200417Z
LAST-MODIFIED:20220923T212124Z
UID:10000262-1666465200-1666468800@www.bluegrasshall.org
SUMMARY:Mangled Mirror
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/mangled-mirror-2/
LOCATION:Bluegrass Music Hall of Fame & Museum – Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301
CATEGORIES:Concert
GEO:37.7750514;-87.1140719
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bluegrass Music Hall of Fame & Museum – Woodward Theatre 311 W 2nd St. Owensboro KY 42301;X-APPLE-RADIUS=500;X-TITLE=311 W 2nd St.:geo:-87.1140719,37.7750514
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221021T190000
DTEND;TZID=America/Chicago:20221021T200000
DTSTAMP:20260501T073530
CREATED:20220923T200345Z
LAST-MODIFIED:20220923T200345Z
UID:10000261-1666378800-1666382400@www.bluegrasshall.org
SUMMARY:Mangled Mirror
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/mangled-mirror/
LOCATION:Bluegrass Music Hall of Fame & Museum – Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301
CATEGORIES:Concert
GEO:37.7750514;-87.1140719
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bluegrass Music Hall of Fame & Museum – Woodward Theatre 311 W 2nd St. Owensboro KY 42301;X-APPLE-RADIUS=500;X-TITLE=311 W 2nd St.:geo:-87.1140719,37.7750514
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20221015T190000
DTEND;TZID=America/Chicago:20221015T203000
DTSTAMP:20260501T073530
CREATED:20220715T160644Z
LAST-MODIFIED:20220718T154435Z
UID:10000253-1665860400-1665865800@www.bluegrasshall.org
SUMMARY:Michael Cleveland & Flamekeeper
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/michael-cleveland-flamekeeper/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220908T190000
DTEND;TZID=America/Chicago:20220908T203000
DTSTAMP:20260501T073530
CREATED:20220715T145509Z
LAST-MODIFIED:20220906T202154Z
UID:10000252-1662663600-1662669000@www.bluegrasshall.org
SUMMARY:The Nashville Songwriter
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/the-nashville-songwriter-2/
LOCATION:Bluegrass Music Hall of Fame & Museum Outdoor Stage\, 311 W. 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20220813T190000
DTEND;TZID=America/Chicago:20220813T203000
DTSTAMP:20260501T073530
CREATED:20220630T155022Z
LAST-MODIFIED:20220721T170153Z
UID:10000251-1660417200-1660422600@www.bluegrasshall.org
SUMMARY:John McEuen & The Circle Band
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/john-mceuen-the-circle-band/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20220806T190000
DTEND;TZID=America/Chicago:20220806T210000
DTSTAMP:20260501T073530
CREATED:20220919T194947Z
LAST-MODIFIED:20220919T200846Z
UID:10000259-1659812400-1659819600@www.bluegrasshall.org
SUMMARY:Lanham Brothers Jamboree
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/lanham-brothers-jamboree-3/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220806T190000
DTEND;TZID=America/Chicago:20220806T210000
DTSTAMP:20260501T073530
CREATED:20220606T211838Z
LAST-MODIFIED:20220613T202156Z
UID:10000250-1659812400-1659819600@www.bluegrasshall.org
SUMMARY:Lanham Brothers Jamboree
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/lanham-brothers-jamboree-2/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Woodward Theatre 311 W 2nd St. Owensboro KY 42301 United States;X-APPLE-RADIUS=500;X-TITLE=311 W 2nd St.:geo:-87.114185,37.775241
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220805T170000
DTEND;TZID=America/Chicago:20220805T200000
DTSTAMP:20260501T073530
CREATED:20220426T194901Z
LAST-MODIFIED:20220426T195154Z
UID:10000249-1659718800-1659729600@www.bluegrasshall.org
SUMMARY:First Fridays - Tasha Layton
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/first-fridays-point-of-grace-copy-copy/
LOCATION:Bluegrass Music Hall of Fame & Museum Outdoor Stage\, 311 W. 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220701T170000
DTEND;TZID=America/Chicago:20220701T200000
DTSTAMP:20260501T073530
CREATED:20220426T194501Z
LAST-MODIFIED:20240430T160808Z
UID:10000248-1656694800-1656705600@www.bluegrasshall.org
SUMMARY:First Fridays - Cochren & Co
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/first-fridays-point-of-grace-copy/
LOCATION:Bluegrass Music Hall of Fame & Museum Outdoor Stage\, 311 W. 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220607T190000
DTEND;TZID=America/Chicago:20220607T210000
DTSTAMP:20260501T073530
CREATED:20220413T183139Z
LAST-MODIFIED:20220919T194725Z
UID:10000246-1654628400-1654635600@www.bluegrasshall.org
SUMMARY:Kentucky Humanities presents Sam Bush in conversation with Michael Johnathon
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/kentucky-humanities-sam-bush/
LOCATION:Bluegrass Music Hall of Fame & Museum – Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301
CATEGORIES:Concert
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220603T170000
DTEND;TZID=America/Chicago:20220603T200000
DTSTAMP:20260501T073530
CREATED:20220426T193743Z
LAST-MODIFIED:20220426T195008Z
UID:10000247-1654275600-1654286400@www.bluegrasshall.org
SUMMARY:First Fridays - Point of Grace
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/first-fridays-point-of-grace/
LOCATION:Bluegrass Music Hall of Fame & Museum Outdoor Stage\, 311 W. 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220519T190000
DTEND;TZID=America/Chicago:20220519T203000
DTSTAMP:20260501T073530
CREATED:20220308T162037Z
LAST-MODIFIED:20220407T214348Z
UID:10000245-1652986800-1652992200@www.bluegrasshall.org
SUMMARY:The Nashville Songwriter
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/nashville-songwriter-5-19/
LOCATION:Bluegrass Music Hall of Fame & Museum Outdoor Stage\, 311 W. 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20220514T190000
DTEND;TZID=America/Chicago:20220514T203000
DTSTAMP:20260501T073530
CREATED:20211222T170434Z
LAST-MODIFIED:20220211T171245Z
UID:10000242-1652554800-1652560200@www.bluegrasshall.org
SUMMARY:Dan Tyminski Band
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/dan-tyminski-5-14/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220506T190000
DTEND;TZID=America/Chicago:20220506T203000
DTSTAMP:20260501T073530
CREATED:20211227T163134Z
LAST-MODIFIED:20220713T204632Z
UID:10000243-1651863600-1651869000@www.bluegrasshall.org
SUMMARY:Dailey & Vincent
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/dailey-and-vincent/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220423T190000
DTEND;TZID=America/Chicago:20220423T203000
DTSTAMP:20260501T073530
CREATED:20211220T152722Z
LAST-MODIFIED:20220324T172150Z
UID:10000240-1650740400-1650745800@www.bluegrasshall.org
SUMMARY:Darin & Brooke Aldridge
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/aldridge/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220325T190000
DTEND;TZID=America/Chicago:20220325T203000
DTSTAMP:20260501T073530
CREATED:20211220T185548Z
LAST-MODIFIED:20211221T150303Z
UID:10000241-1648234800-1648240200@www.bluegrasshall.org
SUMMARY:Rhonda Vincent & The Rage
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/rhonda-vincent/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220318T190000
DTEND;TZID=America/Chicago:20220318T203000
DTSTAMP:20260501T073530
CREATED:20211122T203530Z
LAST-MODIFIED:20211123T183754Z
UID:10000235-1647630000-1647635400@www.bluegrasshall.org
SUMMARY:We Banjo 3
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/we-banjo-3-18/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220312T100000
DTEND;TZID=America/Chicago:20220312T100000
DTSTAMP:20260501T073530
CREATED:20220301T164829Z
LAST-MODIFIED:20220301T165144Z
UID:10000244-1647079200-1647079200@www.bluegrasshall.org
SUMMARY:Kentucky State Fiddle Championship
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/ky-fiddle/
LOCATION:Bluegrass Music Hall of Fame & Museum\, 311 W 2nd St.\, Owensboro\, 42301\, USA
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20220226T190000
DTEND;TZID=America/Chicago:20220226T203000
DTSTAMP:20260501T073530
CREATED:20211210T163517Z
LAST-MODIFIED:20220208T165031Z
UID:10000239-1645902000-1645907400@www.bluegrasshall.org
SUMMARY:Brennen Leigh
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/brennen-leigh/
LOCATION:Bluegrass Music Hall of Fame & Museum – Lobby Stage\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20220212T190000
DTEND;TZID=America/Chicago:20220212T203000
DTSTAMP:20260501T073531
CREATED:20211208T134907Z
LAST-MODIFIED:20220208T165102Z
UID:10000238-1644692400-1644697800@www.bluegrasshall.org
SUMMARY:The Kody Norris Show
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/kody-norris-show-2-12/
LOCATION:Bluegrass Music Hall of Fame & Museum – Lobby Stage\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20220205T190000
DTEND;TZID=America/Chicago:20220205T203000
DTSTAMP:20260501T073531
CREATED:20211206T162123Z
LAST-MODIFIED:20220112T210339Z
UID:10000237-1644087600-1644093000@www.bluegrasshall.org
SUMMARY:East Nash Grass
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/east-nash-grass/
LOCATION:Bluegrass Music Hall of Fame & Museum – Lobby Stage\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20220115T190000
DTEND;TZID=America/Chicago:20220115T203000
DTSTAMP:20260501T073531
CREATED:20211203T151843Z
LAST-MODIFIED:20211203T153240Z
UID:10000236-1642273200-1642278600@www.bluegrasshall.org
SUMMARY:Rodney Dillard & The Dillards
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/rodney-dillard/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20211213T190000
DTEND;TZID=America/Chicago:20211213T203000
DTSTAMP:20260501T073531
CREATED:20211005T144405Z
LAST-MODIFIED:20211103T165417Z
UID:10000229-1639422000-1639427400@www.bluegrasshall.org
SUMMARY:Steven Curtis Chapman
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/steven-curtis-chapman/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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DTSTART;TZID=America/Chicago:20211204T190000
DTEND;TZID=America/Chicago:20211204T203000
DTSTAMP:20260501T073531
CREATED:20211026T130502Z
LAST-MODIFIED:20211202T162740Z
UID:10000232-1638644400-1638649800@www.bluegrasshall.org
SUMMARY:Lanham Brothers Jamboree Christmas Show
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/lanham-brothers-christmas-show/
LOCATION:Bluegrass Music Hall of Fame & Museum\, 311 W 2nd St.\, Owensboro\, 42301\, USA
CATEGORIES:Concert
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20211126T200000
DTEND;TZID=America/Chicago:20211126T213000
DTSTAMP:20260501T073531
CREATED:20211007T150243Z
LAST-MODIFIED:20211119T164507Z
UID:10000231-1637956800-1637962200@www.bluegrasshall.org
SUMMARY:Béla Fleck\, Sam Bush\, Jerry Douglas\, Stuart Duncan\, Edgar Meyer\, & Bryan Sutton
DESCRIPTION:Immerse yourself in the heart and soul of bluegrass music at the inaugural Bluegrass Unlimited Experience. You’ll receive hands-on instruction led by seasoned professionals\, featuring classes in Guitar\, Banjo\, Mandolin\, Fiddle\, Bass\, and Bluegrass Vocals. Join us for an unforgettable musical journey that will inspire your creativity and deepen your love for bluegrass! This camp is designed for musicians who know basic knowledge of their instrument. \n\n	\n\n\n	\n		\n	Details:\nDate: Friday\, February 7th – Sunday\, February 9th\, 2025 \nLocation: Bluegrass Music Hall of Fame & Museum in Owensboro\, Kentucky \nWorkshop Fee: $495 \nFriday\, February 7th \n\n1pm – 4pm\n\nBill Monroe Excursion in Rosine\, KY featuring a guided tour of the Bill Monroe Homeplace\, The Bill Monroe Museum\, and the Bill Monroe Grave Site. *Must provide your own transportation*\n\n\n\n\n5:30pm – Registration at the Bluegrass Music Hall of Fame and Museum.\n6PM – Meet & Greet your instructors and classmates. Refreshments provided.\n7pm – 9pm Class One\n9pm – Opening Night Jam\n\nSaturday\, Feb 8th \n\n9am – 11am Class Two\n11:30am Lunch (Included)\n1pm – 3pm Class Three\n4pm – 6pm Class Four\n6pm Dinner (Included)\n7PM – 8PM Instructor Concert\n8PM – Open Jam\n\nSunday\, Feb 9th \n\n9am – 11am Class Five\n1:30 PM – 4:30PM – Open Jam\n\n\n	\n\n\n	\n		\n			\n							REGISTRATION\n					\n\n	\n\n\n\n			\n	\n	\n		\n	\n				\n				\n				\n					\n	\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Course Offerings\nGuitar: Instructor Tim May\n \nTim May has been working in the Nashville Area for over 20 years.  Having toured with artists Patty Loveless and John Cowan\, he also worked as a regular on the Grand Ole Opry with Mike Snider.  Tim has been a regular teacher at multiple music camps including Camp Bluegrass\, Kaufman Kamp\, Colorado Roots Music Camp\, Nashcamp\, and others. \nGuitar Course Descriptions \nClass One: Bluegrass Guitar\nIn this session\, we’ll dive into the intricacies of bluegrass rhythm\, focusing on bass runs\, alternating bass choices\, and dynamic variations. We’ll study the playing techniques of bluegrass legends like Tony Rice\, Jimmy Martin\, and others to understand how they shaped the foundation of bluegrass guitar. \nClass Two: Introduction to Soloing\nExpanding on our rhythm work\, we’ll explore the art of soloing\, starting with the iconic Maybelle Carter’s style and the innovative way Norman Blake transformed her rhythm/solo technique\, famously known as “The Carter Scratch.” This class will lay the groundwork for incorporating solos into your bluegrass playing. \nClass Three: Crafting Memorable Solos\nHere\, we’ll explore how to take a simple melody and elevate it with embellishments like “neighbor notes\,” tremolo\, harmonized scales\, and other techniques that add complexity and flair to your solos\, making them truly stand out. \nClass Four: Crosspicking\nWe’ll examine George Shuffler’s pioneering crosspicking style\, which mimicked the banjo roll with a repeating three-note pattern. This technique is perfect for playing melodies\, particularly on vocal-driven songs. We’ll also explore how renowned flatpickers like Clarence White and Doc Watson employed crosspicking to create their signature sound. \nClass Five: Improvisation\nIn this class\, we’ll focus on improvisation techniques that allow you to create unique solos on songs you’ve never heard before. Drawing inspiration from Duke Ellington’s concept of “Spontaneous Composition\,” we’ll cover targeting chord tones\, arpeggios\, and incorporating blues notes to make every solo feel fresh and original. \n\n	\n\n\n	\n		\n	Banjo: Instructor – Alan Munde\n \nAlan Munde is a true pioneer in the bluegrass music industry.  He played with Jimmy Martin and Byron Berline\, Roland White\, and Clarence White.  In addition\, he’s recorded with Sam Bush and John Cowan.  Alan won the Steve Martin Banjo prize in 2021 and is a member of the IBMA Bluegrass Music Hall of Fame. \nBanjo Course Descriptions \nClass One: Banjo Rolls \nThis class will cover the fundamentals of banjo rolls\, demonstrating how basic rolls are used to structure melodies. We will also introduce strategies for bluegrass backup\, focusing on combining chord shapes\, rolls\, licks\, and runs to create effective banjo accompaniment\, along with a method for integrating all these elements. \nClass Two: Understanding the Fingerboard \nThis class covers nine chord shapes\, providing a roadmap for organizing the fingerboard in all twelve keys. It will also expand your toolbox for playing solos and backup\, particularly on slower songs. \nClass Three: Finding The Melody \nDiscover tips for identifying chord changes and the melody in songs. We will also cover the phonetics of bluegrass banjo which include rolls\, maneuvers\, and licks that form the core language of bluegrass banjo playing. \nClass Four: Melodic Style \nThe Melodic Style focuses on playing fiddle tunes and emphasizes the unique approach required to navigate the fingerboard in order to perform them effectively. \nClass Five: Creating Solos & Banjo Licks \nThis class will focus on creating bluegrass banjo solos by combining rolls and melodies in a stylized manner. It also emphasizes expanding our lick vocabulary to inspire creativity and enhance our music-making. \n\n	\n\n\n	\n		\n	Bass: Instructor – Vickie Vaughn\n \nBassist and vocalist Vickie Vaughn fronts the Vickie Vaughn Band\, a progressive bluegrass ensemble. She has performed at DelFest and on the Grand Ole Opry and has toured as a backing vocalist with Patty Loveless. Vaughn also performs in the bluegrass bands High Fidelity and Della Mae. In 2023\, she was named the International Bluegrass Music Association’s Bass Player of the Year. \nBass Course Description \nClass One: Setting the Foundation – Timing\, Note Choice\, & Tone \nIn this first class\, we will establish the core elements that every Bluegrass bassist needs to know: solid timing\, the importance of note choice\, and how to achieve the right tone for Bluegrass. \nClass Two: Funky Walk-Ups and Walking Bass Lines \nLearn how to add character and flair to your bass lines with funky walk-ups and smooth walking bass lines. These techniques are a signature of the Bluegrass sound and will give your bass playing a new level of groove. \nClass Three: The Nashville Number System \nThis class will introduce you to the Nashville Number System\, a critical skill for all Bluegrass players. This system allows you to play in any key and gives you a higher-level understanding of the chord structure in Bluegrass music. \nClass Four: Mastering the Art of Bass Fills – When and Where to Play \nThis class will focus on the skillful art of adding bass fills into your playing. We’ll explore where and when it’s appropriate to insert fills to enhance the music. \nClass Five: Vickie’s Honky Tonk Bass Method – Bringing Groove to Bluegrass \nIn this final class\, students will explore Vickie’s Honky Tonk Bass Method\, a unique approach designed to bring both swing and funk to your Bluegrass bass playing. \n\n	\n\n\n	\n		\n	Fiddle: Instructor – Maddie Denton\n \nA third-generation fiddle player\, Maddie Denton is the 2016 Grand Masters Fiddle Champion and the owner of 14 state championship titles.  She currently plays fiddle and sings tenor in the Dan Tyminski Band in addition to East Nash Grass. \nClass One: Fiddle Fingerboard Exploration \nClass Two: Improvisation Breakdown \nClass Three: Basic Music Theory \nClass Four: Tips For Playing Pesky Keys \nClass Five: Removing Fiddle Obstacles \n\n	\n\n\n	\n		\n	Mandolin: Instructor – Scott Napier\n \nScott Napier is a talented mandolin player renowned for his skill in blending traditional bluegrass techniques with modern influences\, creating a style that is both innovative and deeply rooted in classic sounds. Over the years\, Napier has toured and recorded with some of the most prominent names in bluegrass music. For the past decade\, he has been a leading figure in bluegrass music education. As of March 2024\, Napier is spearheading the new Capital Bluegrass & Traditional Music Program at Owensboro Community & Technical College. Napier was a recent nominee for the International Bluegrass Music’s Associations Mentor of the Year award. \nMandolin Course Descriptions \nClass One: Covering The Basics! Essentials for all levels. \nClass Two: Learning Tunes & Ear Training – The many ways to go about it. \nClass Three: Let’s Write a Tune! \nClass Four: Intro to building speed in your playing. Learn to play fast! \nClass Fine: Gather At The River – 50 years of Bluegrass Gospel Mandolin. \nA look at some of bluegrass gospel’s most iconic mandolin kick offs\, solos\, & hymn interpretations. \n\n	\n\n\n	\n		\n	Bluegrass Vocals: Instructors – Jen Larson & Rick Faris\n \nJen Larson is a Nashville-based vocalist and also the former Archives Manager for the Grand Ole Opry Archives. As a vocalist and songwriter\, Jen draws deeply from the early country and bluegrass music catalogs\, and she has garnered critical praise for her work with the former band\, Straight Drive. She has performed widely\, with appearances at New York City’s Town Hall for several live broadcasts of Garrison Keillor’s “A Prairie Home Companion”\, at the Wheeling Jamboree\, Carnegie Hall\, and many other regional and national festivals and concerts. Jen has also contributed vocal lead and harmony recordings as part of Artistworks bluegrass vocals curriculum taught by Michael Daves. \nClass One: Signature Elements of Bluegrass Vocals \nThis class will introduce bluegrass music and its distinctive vocal style\, exploring how it differs from country\, old-time\, and folk music. We’ll discuss the “high lonesome sound” and examine iconic vocalists who defined the genre. The Nashville numbering system will be introduced to help with learning vocal parts\, followed by a class exercise on reading song charts. The song for this class is “New River Train” by Charlie and Bill Monroe. \nClass Two: Lead\, Harmony & Duet Singing – Featuring Rick Faris \nSession Two will dive into lead and harmony singing\, emphasizing how lead singing drives a band and harmony is shaped by the melody. We will discuss finding personal connection with songs and the importance of transposing songs to fit vocal ranges. The class explores the influence of “brother duets” and close harmony on bluegrass\, highlighting famous vocal partnerships and the significance of listening and blending. The song for this session is Memories of Mother and Dad by Bill Monroe and Jimmy Martin. \nClass Three: Song Arranging \nThis session will include a recap of memories of Mother and Dad\, incorporating a staggered\, syncopated chorus to enhance the song’s emotional impact. We’ll explore the importance of pre-bluegrass source recordings with the song Where the Soul of Man Never Dies and discover how older songs can be reworked by different generations of musicians. \nClass Four: Introduction To Trio Singing \nWe will cover the basics of trio singing\, focusing on “standard” and “stacked” trios. Standard trios consist of a lead\, tenor\, and baritone\, as heard in classic Jimmy Martin songs\, with Paul Williams on tenor and J.D. Crowe on baritone\, or in the Osborne Brothers with Bobby on tenor and Sonny on baritone. Stacked trios feature a high lead\, low tenor\, and baritone\, as demonstrated by the Stanley Brothers and the Osborne Brothers in “Once More.” Female vocalists like Rhonda Vincent and Dolly Parton also use stacked trios. The “flipping trios” exercise\, switching parts\, helps train the ear and alter a song’s sound. We will focus on the song If That’s the Way You Feel by the Stanley Brothers. \nClass Five: Putting It Together \nIn this review session\, students will pair up or form trios to perform a song they’ve worked on during the course\, or another song they’d like to try\, focusing on lead and harmonies by ear. They’ll have time to rehearse together before presenting their performance to the group. This is a valuable opportunity to apply what you’ve learned\, collaborate\, and workshop bluegrass vocal style in a supportive\, relaxed setting. \n \nRick started out picking bluegrass in his family band\, the Faris Family\, at the age of seven. He was destined for a successful career by getting a head start in his music from his father\, Bob Faris\, a professional touring musician in his own right. Bob played alongside Reba McEntire on many stages\, including the Grand Ole Opry. Rick’s family of six\, consisting of mom\, dad\, Rick\, and his three brothers\, toured extensively for many years honing their craft. Rick is known for his clear\, brilliant tenor voice that lends itself to all emotions of the music. He has a strong\, unique lead vocal and a guitar persona that sets him apart from the rest. While not touring\, he spends a large amount of his time with his family and honing his skills as a renowned luthier. He not only builds and repairs instruments for other people\, but he is currently touring with instruments he has built for himself. \n\n	\n\n\n\n	\n\n\n			\n	\n	\n		\n	Hotel Block\nLocated next door to the Hall of Fame\, The Hampton Inn & Suites Waterfront is the perfect option for accommodations when joining us for a concert!  Enjoy sweeping riverfront views while staying with our hotel partner. Call the Hampton Inn directly at:  270-685-2005. Mention the "Bluegrass Unlimited Workshop Weekend."
URL:https://www.bluegrasshall.org/event/bela-fleck/2021-11-26/2/
LOCATION:Woodward Theatre\, 311 W 2nd St.\, Owensboro\, KY\, 42301\, United States
CATEGORIES:Concert
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