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Composed

BMI’s database credits Alison Krauss with 8 published compositions and co-compositions, including:

“Black Canyon”

“Only You Can Bring Me Cheer (Gentleman’s Lady)”

“Paintin’ the Barn”

“Shimmy Down the Chimney Fill Up My Stocking”

“There’s a Restless Feeling”

“This Sad Song”

Early Influences

D. Crowe

Ricky Skaggs

Tony Rice

Came to Fame With

Alison Krauss and Union Station, 1989-present

Performed With

Silver Rail, 1983

Classified Grass, 1985

Union Station, 1986-1989

Alison Krauss and Union Station, 1989-present

Led the Way

The most commercially successful bluegrass-related artist since Flatt & Scruggs.

  • Recipient of more Grammy awards (27) than any female artist in any genre.
  • Signed to Rounder Records at age fourteen, 1986.
  • IBMA Female Vocalist of the Year (1990, 1991, 1993, 1994).
  • IBMA Entertainer of the Year (1991, 1995).
  • IBMA Album of the Year (1991, 1993, 2001, 2002, 2003).
  • Joined Grand Ole Opry, 1993.
  • IBMA Song of the Year: “High Lonesome Sound,” with Vince Gill (1997).
  • Performed on multi-million selling album soundtrack O Brother, Where Art Thou?, 2000.

By the Way

  • Began taking violin lessons at age five.
  • Won the Walnut Valley Fiddle Championship at age 13 (1984).
  • Discovered when Rounder Records producer Ken Irwin heard her vocals on demo.
  • Recipe for “Alison Krauss’ Winning Cornbread” was featured in a Martha White cookbook.
  • Wore diamond encrusted Stuart Weitzman Cinderella slippers, valued at $2 million, to the Oscars (2004).
  • The album Paper Airplane (2011) received inspiration from a grilled cheese sandwich.
  • Older brother Viktor Krauss is a successful Nashville bassist, composer/songwriter, and producer.

From the Archives

“My parents took the job of having children and raising children very, very seriously . . . They wanted to make sure that if we had any ability, they would encourage it. We had everything: art classes, dance, swimming. They also suggested that we play an instrument for five years. When my brother was five he started the piano; when I was five, two years later, I started the violin. We thought everybody’s family did that.”
Quoted by Roy Kasten in “Alison Krauss - The Bluegrass Rose Blooms,” No Depression, January 2005.
“The first band I got in [Silver Rail] had two really great songwriters . . . When I started looking for other songs to sing, it was kind of outside of tradition-based bluegrass, though I always loved - and still love - the themes and styles of the old and their timeless quality.”
“The first band I got in [Silver Rail] had two really great songwriters . . . When I started looking for other songs to sing, it was kind of outside of tradition-based bluegrass, though I always loved - and still love - the themes and styles of the old and their timeless quality.”
“I’m still at the stage of my career where I’m always pinching myself to make sure I’m not dreaming when I think about how great it is to be making music at all with the band ... to be able to make a living doing what you love.”
Quoted by Richard Cromelin, “Academy Has a New Queen,” The Los Angeles Times, February 9, 2004.
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